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Mayukh Sen, "Love, Queenie: Merle Oberon, Hollywood's First South Asian Star" (Norton, 2025)
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Annie Zaleski, "I Got You Babe: A Celebration of Cher" (Running Press Adult, 2025)
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Robert F. Darden and Stephen M. Newby, "Soon and Very Soon: The Transformative Music and Ministry of Andraé Crouch" (Oxford UP, 2025)
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The Fisher King
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Ariel Nereson, "Democracy Moving: Bill T. Jones, Contemporary American Performance, and the Racial Past" (U Michigan Press, 2022)
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Samuel Jay Keyser, "Play It Again, Sam: Repetition in the Arts" (MIT Press, 2025)
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John Lee Hooker Jr., "From the Shadow of the Blues: My Story of Music, Addiction, and Redemption" (Rowman & Littlefield, 2025)
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Robin Miles: Talking Books
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Liz Pelly, "Mood Machine: The Rise of Spotify and the Costs of the Perfect Playlist" (Atria, 2025)
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Katie Milestone and Simon A. Morrison, "Transatlantic Drift: The Ebb and Flow of Dance Music" (Reaktion Books, 2025)
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Yuma Hampejs and Marcel Schulze, "Electronic Body Music" (Mionaetti, 2024)
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Ben Arogundade, "Hollywood Blackout: The Battle for Recognition in a White Hollywood" (Cassell, 2025)
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Giorgio Bertellini, "The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America" (U California Press, 2019)
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Alfred L. Martin, Jr., "Fandom for Us, by Us: The Pleasures and Practices of Black Audiences" (NYU Press, 2025)
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Sarah Saddler, "Performing Corporate Bodies: Multinational Theatre in Global India" (Routledge, 2025)
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David Wiles, "Democracy, Theatre and Performance: From the Greeks to Gandhi" (Cambridge UP, 2024)
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Mark Doyle, "John Cale's Paris 1919" (Bloomsbury, 2025)
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Anna Maria Busse Berger and Henry Spiller, "Missionaries, Anthropologists, and Music in the Indonesian Archipelago" (U California Press, 2025)
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Miriam Haughton, "The Theatre of Louise Lowe" (Cambridge UP, 2025)
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Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)
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Koen Galle, "Fuse, Thirty Years of Making Noise" (AfterClub, 2024)
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Simon Morrison, "Tchaikovsky's Empire: A New Life of Russia's Greatest Composer" (Yale UP, 2024)
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Paul R. Laird and Elizabeth A. Wells, "The Cambridge Companion to West Side Story" (Cambridge UP, 2024)
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Holly Grout, "Playing Cleopatra: Inventing the Female Celebrity in Third Republic France" (LSU Press, 2024)
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Fiona Handyside, "Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures" (Edinburgh UP, 2025)
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Ariane Sherine, "The Real Sinéad O'Connor" (White Owl, 2024)
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Richard Heppner, "Woodstock: From World War to Culture Wars" (SUNY Press, 2024)
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Chris Alexander, "Art! Trash! Terror! Adventures in Strange Cinema" (Headpress, 2025)
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Georgia Finnegan, "Grace & Grit: A History of Ballet in Minnesota" (Afton Historical Society, 2024)
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Elizabeth T. Craft, "Yankee Doodle Dandy: George M. Cohan and the Broadway Stage" (Oxford UP, 2024)
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Alfie Bown, "Post-Comedy" (Polity, 2025)
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Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)
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Joseph Jonghyun Jeon, "Bong Joon Ho" (U Illinois Press, 2024)
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Kate Fortmueller and Luci Marzola, "Hollywood Unions" (Rutgers UP, 2024)
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William Burns, "Ghost of an Idea: Hauntology, Folk Horror, and the Spectre of Nostalgia" (Headpress, 2025)
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Joseph Straus, "Cultural Narratives of Old Age in the Lives, Work, and Reception of Old Musicians" (Routledge, 2024)
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Pamela Allen Brown, "The Diva's Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata" (Oxford UP, 2021)
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Laurel Victoria Gray, "Women’s Dance Traditions of Uzbekistan: Legacy of the Silk Road" (Bloomsbury, 2024)
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Katie Beisel Hollenbach, "The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom" (Oxford UP, 2024)
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Réjane Dreifuss et al., "Live Performance and Video Games: Inspirations, Appropriations and Mutual Transfers" (Transcript Publishing, 2024)
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Samantha Ege, "South Side Impresarios: How Race Women Transformed Chicago's Classical Music Scene" (U Illinois Press, 2024)
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Robert Dayton, "Cold Glitter: The Untold Story of Canadian Glam" (Feral House, 2024)
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Monica A. Hershberger, "Women in American Operas of The 1950s: Undoing Gendered Archetypes" (U Rochester Press, 2023)
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Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)
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Arthur Bradley, "Staging Sovereignty: Theory, Theater, Thaumaturgy" (Columbia UP, 2024)
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In One Ear, Out The Other
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Adam Zucker, "Shakespeare Unlearned: Pedantry, Nonsense, and the Philology of Stupidity" (Oxford UP, 2024)
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Randy Fertel, "Winging It: Improv’s Power & Peril in the Time of AI & Trump" (Spring, 2024)
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Joseph McBride, "George Cukor's People: Acting for a Master Director" (Columbia UP, 2024)
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Toby Manning, "Mixing Pop and Politics: A Marxist History of Popular Music" (Repeater, 2024)
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Beth Kaplan, "Finding the Jewish Shakespeare: The Life and Legacy of Jacob Gordin" (Syracuse UP, 2007)
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Leah Kardos, "Kate Bush's Hounds of Love" (Bloomsbury, 2024)
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Eric Drott, "Streaming Music, Streaming Capital" (Duke UP, 2024)
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Biopic
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Chris Berry et al., "Taiwanese-Language Cinema: Rediscovered and Reconsidered" (Edinburgh UP, 2024)
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Veronica Keller and Sabrina Mittermeier, "From Broadway to the Bronx: New York City’s History through Song" (Intellect, 2024)
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David Suisman, "Instrument of War: Music and the Making of America's Soldiers" (U Chicago Press, 2024)
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Margaret Mehl, "Music and the Making of Modern Japan: Joining the Global Concert" (Open Book, 2024)
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Shalini Kakar, "Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond" (Rowman and Littlefield, 2023)
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Benjamin Barson, "Brassroots Democracy: Maroon Ecologies and the Jazz Commons" (Wesleyan UP, 2024)
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Carrie J. Preston, "Complicit Participation: The Liberal Audience for Theater of Racial Justice" (Oxford UP, 2024)
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Connie DeNave, "The Image Maker: Shattering Rock and Roll's Glass" (2023)
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Nicholas Baer, "Historical Turns: Weimar Cinema and the Crisis of Historicism" (U California Press, 2024)
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Risk
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Elsie Walker, "Life 24x a Second: Cinema, Selfhood, and Society" (Oxford UP, 2023)
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Lisa Nielson, "Music and Musicians in the Medieval Islamicate World: A Social History" (Bloomsbury, 2021)
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Daniela Berghahn, "Exotic Cinema: Encounters with Cultural Difference in Contemporary Transnational Film" (Edinburgh UP, 2023)
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Roberto Morales-Harley, "The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater” (Open Book, 2024)
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John Duffus, "Backstage in Hong Kong: A Life with the Philharmonic, Broadway Musicals and Classical Superstars" (Blacksmith Books, 2024)
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Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
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Richard Schoch, "How Sondheim Can Change Your Life" (Atria Books, 2024)
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Bihani Sarkar, "Classical Sanskrit Tragedy: The Concept of Suffering and Pathos in Medieval India" (I. B. Tauris, 2021)
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Landon Palmer, "Rock Star/Movie Star: Power and Performance in Cinematic Rock Stardom" (Oxford UP, 2020)
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Megan Steigerwald Ille, "Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age" (U Michigan Press, 2024)
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Kevin Sanson, "Mobile Hollywood: Labor and the Geography of Production" (U California Press, 2024)
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Ashawnta Jackson, "Soul-Folk" (Bloomsbury, 2024)
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Peter C. Kunze, "Staging a Comeback: Broadway, Hollywood, and the Disney Renaissance" (Rutgers UP, 2023)
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Brad Balukjian, "The Six Pack: On the Open Road in Search of Wrestlemania" (Hachette, 2024)
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Ora Horn Prouser et al., "Under One Tent: Circus, Judaism, and Bible" (Ben Yehuda Press, 2023)
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Aviva Dove-Viebahn, "There She Goes Again: Gender, Power, and Knowledge in Contemporary Film and Television Franchises" (Rutgers UP, 2023)
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John Withington, "A History of Fireworks from: Their Origins to the Present Day" (Reaktion, 2024)
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Natalie Wall, "Black Expression and White Generosity: A Theoretical Framework of Race" (Emerald Publishing, 2024)
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Kristina Kolbe, "The Sound of Difference: Race, Class and the Politics of 'Diversity' in Classical Music" (Manchester UP, 2024)
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Serena Laiena, "The Theatre Couple in Early Modern Italy: Self-Fashioning and Mutual Marketing" (U Delaware Press, 2023)
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Lynne B. Sagalyn, "Times Square Remade: The Dynamics of Urban Change" (MIT Press, 2023)
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Konrad Bercovici, "The Algonquin Round Table: 25 Years with the Legends Who Lunch" (SUNY Press, 2024)
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Francesco Lotoro, "The Lost Music of the Holocaust: Bringing the Music of the Camps to the Ears of the World at Last" (Headline, 2024)
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Jane Little Botkin, "The Pink Dress: A Memoir of a Reluctant Beauty Queen" (She Writes Press, 2024)
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Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016)
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Lucy Weir, "Performance, Masculinity, and Self-Injury" (Routledge, 2024)
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Sheri Chinen Biesen, "Through a Noir Lens: Adapting Film Noir Visual Style" (Columbia UP, 2024)
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Salma Siddique, "Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960" (Cambridge UP, 2022)
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Grant Olwage, "Paul Robeson's Voices" (Oxford UP, 2023)
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Jennifer L. Lambe, "The Subject of Revolution: Between Political and Popular Culture in Cuba" (UNC Press, 2024)
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Steve Jones, "The Metamodern Slasher Film" (Edinburgh UP, 2024)
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Trevor Boffone, "TikTok Broadway: Musical Theatre Fandom in the Digital Age" (Oxford UP, 2024)
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Yiu Fai Chow et al., "It’s My Party: Tat Ming Pair and the Postcolonial Politics of Popular Music in Hong Kong" (Palgrave Macmillan, 2024)
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Tom Boniface-Webb, "Modern Music Masters: Oasis" (MMM, 2020)
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Mark Blake, "Dreams: The Many Lives of Fleetwood Mac" (Pegasus Books, 2024)
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John S. Garrison, "Red Hot + Blue" (Bloomsbury, 2024)
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